I had to take screencaps!
Early in the movie, Cecily is being tutored, and sneaks a peek at a page in her book with a chivalrous artwork:
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I love it when the Pre-Raphaelites show up unexpectedly in movies like that!
Her refusal was irritating. I had just bought a set of beautifully illustrated tomes by Dugdale about English monasteries entitled Monasticon Anglicanum with the proceeds of selling a best-forgotten tune to a music publisher, and the chances of repeating such a sale were slim. Granny had been tolerant about allowing the huge set of books into her flat but was emphatically not prepared to finance the purchase of a large, dirty and unframed canvas that a West London dealer had described to an art-obsessed schoolboy as the work of a former President of the Royal Academy.
Today Flaming June hangs in the Museo de Arte de Ponce in Puerto Rico, having been confirmed as the real thing by the great pioneer dealer in Victorian art Jeremy Maas. But much as I frequently still curse my grandmother for denying me the chance to buy a painting that is today billed as 'the Mona Lisa of the southern hemisphere', I can't really blame her. How could she have been expected to take Flaming June seriously? Born in 1898, she had seen the young men of her generation decimated in the First World War and had lived through another. Leighton's sensuous image must have seemed appallingly irrelevant to her.
Which makes her the perfect subject for an aspiring painter named Oscar Aretino Frosdick, a member of the pre-Raphaelite school of artists. Oscar is determined to make his mark on the art world, with Ivy as his model and muse. But behind Ivy's angelic looks lurk dark secrets and a troubled past -- a past that has given her an unfortunate taste for laudanum. And when treachery and jealousy surface in the Eden that is the artist's garden, Ivy must learn to be more than a pretty face if she is to survive.
The book's release date is June 17th.